When does the performance start?

The performance starts on 16.05.2026 at 15:45.

How long does The Lost Man last?

The runtime is 106 minutes; the end is scheduled for 17:30.

How much does a ticket cost?

On Saturday, the regular price at the filmforum is 9.90 euros, reduced 8.50 euros.

Is the filmforum barrier-free?

According to the FAQ, the building is not barrier-free. However, the venue offers assistance within its possibilities; a free ticket is provided for a companion with a severe disability card.

How do I get to the filmforum?

The filmforum is located at Dellplatz 16 in 47051 Duisburg. The main train station is about a 15-minute walk away; trams, subways, and buses also run nearby.

Are there parking options?

Yes, numerous parking spaces are available around the filmforum. They can be used free of charge from 20:00.

A Quiet Relationship Drama that Resonates at filmforum Duisburg

Name: The Lost Man
Start: 2026-05-16T17:45:00+02:00
End: 2026-05-16T19:30:00+02:00
Location: filmforum

A Quiet Chamber Play with Great Emotional Tension at the filmforum Duisburg

With The Lost Man, a finely balanced relationship drama hits the screen on May 16, 2026, at the filmforum Duisburg, drawing its power from restraint, precise acting, and clever dramaturgy. What begins as a surprising constellation develops into a tender-bitter story about memory, closeness, and the fragile order of cohabitation.

When the Past Knocks at the Door

The film begins with a moment that seems almost inconspicuous yet shifts everything: Hanne, played by Dagmar Manzel, finds herself in a new constellation through the appearance of her former husband Kurt. The story condenses into a quiet chamber play, where emotional truths slowly but inevitably break through. The direction eases the weight of the theme of Alzheimer’s while not diminishing its significance.

Acting Between Warmth and Resistance

Dagmar Manzel, Harald Krassnitzer, and August Zirner carry the stage experience to the screen with a presence that draws meaning from every gesture. It is precisely the interplay of the trio that makes the evening captivating: comedic, touching, and never tipping into sentimentality. Audience reactions are likely to be marked by quiet attention, as tension here arises not from effects but from finely observed humanity.

Dramaturgy of Quiet Tones

The film does not speak of grand gestures but of shifts in everyday life, of dignity, overwhelm, and newly negotiated affection. The dramaturgy stays close to the characters, while the set design of spaces and paths appears reduced, almost documentary. This is precisely where the strength of this performance in cinema format lies: it trusts in nuances, in glances, in the unspoken.

An Evening for Audiences with a Sense of Nuance

At the filmforum Duisburg, The Lost Man unfolds that theatrical atmosphere that arises from concentrated watching and shared experience. Those who engage with this sensitive interplay of relationship, loss, and reconciliation experience a quiet yet lasting cultural event. This screening is worth it for anyone who appreciates acting, strong characters, and a mature, human narrative style.

Conclusion: The Lost Man promises a moving evening between tragedy and tenderness, supported by excellent actors and a thoughtful direction. A date for all who want to experience intense contemporary cinema with emotional depth live.