In the Mirror of My Mother at filmforum: Intense Film Drama in Duisburg


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A multifaceted film drama about memory, loss, and the power of images
In the Mirror of My Mother leads into a narrative intermediary world at the filmforum Duisburg, where grief, family secrets, and scientific curiosity intertwine. Jutta Brückner returns with her first feature film after nearly 20 years and condenses a mother-daughter story into a dense psychological portrait full of symbolism.
Between Moor, Memory, and Inner Tremor
The film follows archaeologist Ursula Scheuner, whose life is thrown off balance when she discovers a bog mummy in the moor and must also process her mother's death. What begins as a realistic plot opens up to a finely floating, symbolically charged narrative. Mirrors, water, layers of past and present: everything seems like a stage for repressed emotions and unspoken conflicts.
Jutta Brückner's direction between realism and dream logic
Brückner tells not in a straightforward manner but in fragments, time jumps, and atmospheric shifts. The dramaturgy relies on the restless, on associations, and on those moments when body and memory stalk each other. Critics highlight exactly this directorial delight: The images remain open, the states of soul elude clarity, and it is from this that the tension of this stage and cinematic feeling grows simultaneously.
Acting art with controlled intensity
Corinna Harfouch, Carla Juri, and Hildegard Schmahl carry the work with a presence that charges every scene. Especially the relationship between Ursula and her assistant Mel promises friction, closeness, and a constant exchange of glances between knowledge and mystery. This creates a mental stage experience: finely accentuated, psychologically precise, and supported by a theater atmosphere that unfolds into the silence.
At the filmforum Duisburg: a special place for deep feelings
The filmforum is considered a traditional cinema location with a unique flair. Its location at Dellplatz, good accessibility, and proximity to Duisburg's city center make the evening easy to plan. The venue enhances the experience of a film that does not rely on mere effects, but on resonance, echo, and an intense audience reaction.
Conclusion: An evening for lovers of clever, sensual cinematic art
In the Mirror of My Mother promises an intense, artistically condensed film experience about guilt, origin, and the fragility of family bonds. Those who appreciate psychologically illuminated cinematic narratives with poetic imagery should not miss this event in Duisburg.
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