When does the screening take place?

The screening takes place on Tuesday, October 6, 2026, at 5:45 PM.

Where will the film be shown?

The screening will take place at filmforum at Dellplatz 16 in 47051 Duisburg.

How long is the film?

The film lasts about 112 minutes according to filmforum.

What is the age rating for the film?

The film is rated for viewers aged 12 and older.

How much does a ticket cost?

The regular admission from Tuesday to Sunday is 9.90 euros according to filmforum. Discounts may apply depending on eligibility.

Is the event accessible?

There is no reliable information available regarding the accessibility of this specific screening. Information can be obtained from filmforum Duisburg through the published contact options.

Mrs. Winkler Leaves the House: Humanity Meets Artificial Intelligence in Cinema

Name: Mrs. Winkler Leaves the House
Start: 2026-10-06T17:45:00+02:00
End: 2026-10-06T19:45:00+02:00
Location: filmforum

Between Humanity and Machine: Mrs. Winkler Leaves the House at filmforum Duisburg

The future is not so far away anymore. Just shy of four years, to be precise. In Doris Dörrie's tragicomedy Mrs. Winkler Leaves the House, a lonely, severely ill former actress meets a caregiver robot that unexpectedly changes her life. On Tuesday, October 6, 2026, filmforum Duisburg will show the film at 5:45 PM.

An Unusual Encounter with the Future

Mrs. Winkler lives alone and relies on support. Her daughter Emi finds it increasingly difficult to make time for herself amidst professional responsibilities, a theater engagement, and concern for her mother. An automatic caregiving assistant named Pawlowitsch is supposed to fill the gap. What initially seems like a cold technical solution evolves into a surprisingly intimate relationship between human and machine.

The staging combines drama, comedy, and science fiction into a near-future scenario. Artificial intelligence, caregiving, loneliness, dying, and familial overwhelm come together. The film does not stop at technological questions but instead focuses on human yearnings for closeness, dignity, and self-determination.

Angela Winkler with Compelling Acting

Angela Winkler embodies Mrs. Winkler with great presence, cutting humor, and a vulnerable dignity. Her character oscillates between stubbornness, anger, and a deep fatigue from life. Laura Tonke provides a credible counter-character as daughter Emi, who is trapped between a sense of duty, her own overwhelm, and old familial bonds. Josef Ellers gives the robot Pawlowitsch a peculiar warmth, almost melancholy personality.

The acting carries the film through its contradictory tones. Comedic moments tip into reflection, and everyday dialogues suddenly open philosophical spaces. The dramaturgy works with friction: While Pawlowitsch responds factually and controlled, long-repressed feelings break forth from Mrs. Winkler and Emi.

Chekhov, Theater, and the Question of Being Human

Mrs. Winkler's past as an actress shapes the production. The robot is named after Anton Pavlovich Chekhov and recites excerpts from his work with his new companion. This gives the story a theatrical echo: The big questions of life, suffering, loneliness, and hope resurface in a technized world.

The visual language also relies on a compelling contrast. The sober everyday life of caregiving meets poetic moments where the machine appears almost human. Costumes, set design, lighting mood, and acoustics create an atmosphere between domestic closeness and futuristic promise. Thus, a stage experience in the metaphorical sense emerges: The apartment becomes a playing field, and the characters face each other as in a chamber play.

A Tragicomedy about Caregiving, Dignity, and Farewell

Doris Dörrie directs attention to a socially pressing issue. What happens when care is organized technically, but human closeness cannot be replaced? How much responsibility can a machine take on? And how can we talk about death without losing hope for a self-determined life?

The press reviews particularly highlight Angela Winkler's intense performance and the combination of emotional tragicomedy and current ethical questions. The film unfolds its impact not through simple answers but through the ambiguity of its characters. Right there lies its strength: The audience laughs, empathizes, and leaves the cinema with questions that extend far beyond the screening.

Conclusion: A Thought-Provoking Cinematic Experience at filmforum

Mrs. Winkler Leaves the House promises a moving and simultaneously humorous stage experience on the big screen. The production combines strong acting, precise dramaturgy, and social relevance. Those interested in German cinema, Doris Dörrie, Angela Winkler, and the cultural implications of artificial intelligence will experience an evening at filmforum Duisburg filled with laughter, melancholy, and great human closeness.